PR - Futurism Theory Research
- Jiaren Tang
- 2021年4月26日
- 讀畢需時 2 分鐘
The famous "Apollo" landing on the moon in the 20th century made the fascination for the universe the design theme of the entire society for a full 10 years in the 1960s, and futuristic women's clothing with the theme of space and aerospace came into being. Helmet-like head shapes, metallic luster fabrics, transparent plastics, skinny leathers, etc. became the hallmarks of futuristic style clothing in the 1960s.
Apollo program leading to some futuristic clothing in the 1960s such as helmet-like head, metallic sheen fabric, transparent plastic, close-fitting leather.
1998 German film "Lola rennt, Run Lola Run": How a woman desperately rescues her lover-a breath-holding and exciting film, the life and death of love will be completely changed, three parallel story, the same sense of speed, an uncertain future, and even a red hair, all the elements of futurism are fully reflected in this movie.
Run Lola Run (German: Lola rennt) is a 1998 German experimental thriller film. The film was written and directed by Tom Tykwer, and stars Franka Potente as Lola and Moritz Bleibtreu as Manni. The story follows a woman who needs to obtain 100,000 Deutschmarks in twenty minutes to save her boyfriend's life.
Tetsuo: The Iron Man (鉄男, Tetsuo) is a 1989 Japanese cyberpunk body horror film. It was written, produced, edited, and directed by cult-film director Shinya Tsukamoto, and produced by Japan Home Video. It is shot in the same low-budget, underground-production style as his first two films. Tetsuo established Tsukamoto internationally and created his worldwide cult following. It was followed by Tetsuo II: Body Hammer (1992) and Tetsuo: The Bullet Man (2009).
The pioneer of futuristic style and experimentalist design, André Courrèges' helmet-like Sassoon head, pilot's same-style flat shoes, shiny metallic fabric, transparent plastic PVC, close-fitting leather, etc. 60s "futurism" sign.
From 1964 to 1968, Cooley introduced the "Space Age" series of designs. Whether it is skirt or trousers, the lines are straight, simple and practical.
André Courrèges, (born March 9, 1923, Pau, France—died January 7, 2016, Neuilly-sur-Seine, France), dress designer who first made a reputation in the Parisian fashion world of the 1960s for futuristic, youth-oriented styles.
In 2019, perfection (in the traditional sense) seems only an Instagram filter away, but not for Johanna Jaskowska, whose subversive and surreal Beauty3000 has so far amassed over 200 million impressions, and the numbers are still growing.
The Berlin-based digital artist has been transforming people into plastic cyborgs since the release of her arrestingly saccharine face filters Blast, Zoufriya, Beauty3000 and Turfu three weeks ago. And suddenly, it feels like everybody is dosing themselves in glittery augmented vats of virtual Vaseline, or dancing blobs of coloured light. Models Teddy Quinlivan and Jazzelle Zanaughtti are already fans. “The idea of a plastic, artificial beauty is especially relevant in today’s society,” Jaskowska tells us. “When I was creating Beauty3000, all I could think of was, ‘you want plastic? I’ll give you the real plastic’.”
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